Speaking of reconfiguring systems and identifying and combating privilege, a number of films in various sections of this year’s festival spoke precisely to these issues, perhaps none with as much wit as Thirza Cuthand’s Less Lethal Fetishes (Canada, 2019), which screened in the Distributors screening co-organized by the Canadian organization Vtape. There are so many things to say about the festival’s virtual manifestation. For an individual, then, there was an element of the festival that was sadly missing. A conceptually inspired work, Destruction is (apparently) set in a nondescript interior of a house or apartment. The International Short Film Festival Oberhausen, founded in 1954, is one of the oldest short film festivals in the world. Live Q&As took place as well, conducted via video-chat, with daily Zoom meetings offering the opportunity to meet members of the festival’s staff (the festival director, Lars Henrik Gass, members of the press office or selection committees, other curators, and so on). Vika Kirchenbauer’s Untitled Sequence of Gaps (Germany, 2020), part of the Distributors program curated by Arsenal in Berlin, addresses questions of invisibility—of realms of experience and identity that the dominant culture often literally fails to perceive or recognize—in a more poetic, symbolic register. And yet they do, they define it every time they ask me where I’m from.” Dandelions is a beautiful and eloquent film that deploys the techniques of a lyrical, interiorized cinema to lay bare the ways in which Western societies foster an (internalized, unexamined) idea of normalcy—of whiteness as “neutral” and everything else as “other”—and to illustrate the psychic toll on those who exist outside this construct. In the course of more than five decades, the International Short Film Festival Oberhausen has become one of the world's most respected film events - a place where filmmakers and artists ranging from Roman Polanski to Cate Shortland, from George Lucas to Pipilotti Rist have presented their first films. In total, Internet users in nearly 100 countries watched the festival films on the net. Award winners (Screening 23rd of October) Limerence (Yves Tumor) Oliver Pietsch, Germany 2018 No dialogue, 5’30’’ Hirografo( Manuscript) In the course of more than five decades, the International Short Film Festival Oberhausen has become one of the world's most respected film events - a place where filmmakers and artists ranging from Roman Polanski to Cate Shortland, from George Lucas to Pipilotti Rist have presented their first films. On the other hand, that Oberhausen could go forward at all was a testament to the technological tools available in the twenty-first century, and above all to the tireless efforts and resilient adaptability of the festival’s organizers and curators. The competition provides a good overview of "serious", avant-garde short film productions (Hamburg, on the other hand, offers the more entertaining films). From the evidence of the seven films presented at Oberhausen, Plaat’s films fall into two broad categories: highly stylized, gleefully campy, and extravagantly performative works, and travelogues constructed from footage gathered during his journeys in far-flung regions of the globe. Best perhaps to begin by painting a picture of the experience: though some parts of the planned programming had to be jettisoned, the majority of the programs were able to make the move online. The Oberhausen International Short Film Festival is dedicating this year’s Theme programme to “Solidarity as Disruption”: an investigation into how solidarity, a concept that has come into focus with the recent migrations, can be re/defined as a political project and how its methods can be re/activated through the cinema. One facet of Dandelions is Wilkinson’s frustration with the limits of communication, with the difficulty of truly conveying her own experience in the world and in Canadian society. Jared Rapfogel is the film programmer at Anthology Film Archives in New York City. The festival holds an International Competition, German Competition, and International Children's and Youth Film Competition, as well as the MuVi Award for best German music video and, since 2009, the NRW Competition for productions from the German state of North Rhine-Westphalia. Enjoy the best of both worlds: Portal for Film & Festival News, exploring the best of the festivals community.. An adventure exploring, from dreams to reality, the emerging talents in our community. Oberhausen Film Festival Such film festivals – those extraordinary clusters of images, transports of light, of virtual worlds scattered across a real geography – pale in scale when considered next to the project of the www. Oberhausen is not only the oldest short film festival in the world, it is also one of the most important, alongside Tampere and Clermont-Ferrand. The challenge of communication is at the very heart of Barbara Hammer’s classic video work, Would You Like to Meet Your Neighbor? 66th International Short Film Festival Oberhausen, 13–18 May 2020. It seemed that everywhere you looked in Oberhausen 2020’s lineup you found films that spoke to (forcibly) vanished peoples and histories, and in many of these instances this phenomenon was seen through the lens of landscapes. Gareth Evans, Jurist at the International Short Film Festival at Oberhausen, 2001 Taking place from May 13–18, 2020, at the height of the COVID-19 pandemic, this year’s festival was an online affair, and there’s no way to discuss the event without this radical format taking center stage. Location Echo Park Film Center 1200 N. Alvarado Street Loas Angeles, CA 90026 United States + Google Map The International Short Film Festival Oberhausen, founded in 1954, is one of the oldest short film festivals in the world. For one thing, by the evidence of the Oberhausen selection, female artists were central to mid-1970s Polish video art—all ten of the works included in the program were by female makers. Share on linkedin. Visually and structurally, Dandelions is squarely within a certain tradition of impressionistic experimental cinema, its fragmentary, highly textured hand-processed imagery juxtaposed with poetic on-screen text. Henri Plaat's Second War Hats (1986) presents a bizarre fashion show against a war-torn landscape. To my eyes, they not only salvaged the festival, but presented one of its strongest editions in recent memory. A New York Subway Tape (USA, 1985), which was included as part of Electronic Arts Intermix’s Distributors screening. In Vika Kirchenbauer’s Untitled Sequence of Gaps, the spectrum of light becomes a metaphor for the spectrum of sexuality and gender. Oberhausen has managed to instigate various political and aesthetical He was born in San Francisco and educated … In the age of necessary social distancing, we would like to highlight a remarkable film which fulfils the noblest vocation of art, fostering an emotional connection between people from different times and geographical locations. The online streaming of Oberhausen’s Film Festival is organized chronically. At one of the Podium sessions, art historian Hans Ulrich Gumbrecht gruffly declared that he found the practice “annoying” … Nevertheless, perhaps the two most memorable programs emerged from the archival/historical component of the festival. Visited almost exclusively by curators, filmmakers, programmers, and other film professionals to keep up with the trends in short and experimental film, the Oberhausen International Short Film Festival is world-famous for its excellent programming but in some ways alienated from its … The city hosts the International Short Film Festival Oberhausen and its Gasometer Oberhausen is an anchor point of the European Route of Industrial Heritage. Oberhaus Composed of a combination of home movie footage, visually striking infrared/ultraviolet photography, pure color panels, and an enigmatic, seemingly fragmentary narration, the film uses the phenomena of unseen forces—namely infrared and ultraviolet light and microwave radiation—as a rich and flexible metaphor. As part of his project, Schwade encouraged them to create drawings of their lives, their environment and culture, and the history of their conflicts with the Brazilian government. Tonally, Fragments of Decay draws out Plaat’s darker side—it’s a profoundly disturbing, downbeat work, relatively depopulated, with the charismatic actors of the other films replaced by decrepit or crumbling buildings and empty, trash-strewn spaces. RSVP to RSVP@spektakulativ.com. America's leading magazine on the art and politics of the cinema. The Internationale Kurzfilmtage Oberhausen (the Oberhausen International Short Film Festival) is one of the longest-running and most preeminent festivals devoted to the art of the short film. And when Kirchenbauer juxtaposes imagery of a microwave oven with the observation that, “It is argued in academic articles that when the microwave oven entered the market, it was somewhat less clearly gendered than other appliances, allowing men to enter the kitchen without appearing gay,” the metaphor takes on yet another dimension, drawing out the coded behaviors and connotations that most people accept without questioning or examining. is an independent website dedicated to provide information and promote experimental & avant-garde film. But under cover of its playful and self-deprecatory tone, Less Lethal Fetishes zeroes in on the complexities and unexamined dimensions of class privilege that suffuse even such high-minded protests as the one that convulsed the Biennial. In this way, the audiences are more able to catch most of the Film Festival along its duration. (Apiyemiyekî?) About the festival: Oberhausen is not only the oldest short film festival in the world, it is also one of the most important, alongside Tampere and Clermont-Ferrand.… Most of the films in the selection fell into the first category—these are unmistakably in the tradition of Jack Smith and Andy Warhol, with their loving, happily threadbare subversion of Hollywood glamour and the tropes of melodrama, and the use of actors in drag, who perform directly to the camera. The opportunity to pause between films to take immediate notes or simply to reflect felt like a luxury that benefitted both the festivalgoer and the filmmakers, insofar as it prevented the films from blurring into each other. Grand Prize of the City of Oberhausen. In terms of engaging with the festival lineup, I have to say that there was something liberating about accessing the programs online. 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